Wednesday, August 18, 2010

BRUCE SPRIGTEEN FORTHCOMING DOCUMENTARY

The forthcoming Bruce Springsteen documentary "The Promise: The Making of Darkness on the Edge of Town" opens with spare but powerful imagery: black and white footage of a young Springsteen working in the studio on his landmark 1978 album "Darkness on the Edge of Town." The film will air on HBO in October -- about the time Springsteen plans to release a deluxe edition of the disc -- and screen as part of the prestigious Gala section of the Toronto International Film Festival on September 14th.

Rolling Stone recently spoke to Thom Powers, the Toronto festival's documentary programmer. "Lots of rock & roll movies are about something [besides artistry] -- substance abuse, ego problems or the glamour of being a rock star," Powers explains. "What's missing from those films is an emphasis on what makes us interested in this artist, their creative process. The strength of this movie is that is just concentrates on the making of just one album. There's not even much concert footage." (It's been widely reported that Edward Norton will interview Springsteen at the Toronto Film Festival. Powers, however, can't yet comment on that.)


The doc combines the studio footage -- previously unknown to fans -- with present-day interviews with main members of the band, including Danny Federici before he passed away. (Patti Smith is also interviewed in the movie, discussing how she co-wrote "Because the Night" with Springsteen.) "What really struck me about these interviews is the vivid sense of recall that they have," says Powers. "You don't get the feeling that these are the same old stories they've polished up for the press all the time -- especially with Springsteen. He gave long interviews for the film and just about everything he says is really interesting."

Powers points out a special bonus for fans of the music: a trove of original studio recordings. "In the video footage there are scenes of Bruce Springsteen and Steve Van Zandt improvising songs you've never heard before," he says. "Making use of the audio tracks you really get a sense of how those songs came together

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